A modern clock displaying the time 3:44, placed on a white tray with tissue paper, and a framed abstract artwork in the background.

ZEN

Using 3D printing, create a wireless charger that allows me to utilise the standby function of my iPhone 11. The design must match the current aesthetics of its intended environment, my bedroom, and incorporate at least one alternative material and manufacturing process.

2024

Product Design

Ideation

I find a lot of comfort in introducing memories of my travels into my surroundings

Close-up of a traditional Japanese wooden temple roof with architectural details and a blue sky in the background.
A traditional Japanese garden with a pond, rocks, trimmed bushes, and trees with autumn foliage, and a building with a tiled roof in the background.
Modern building with large glass windows and a covered roof, featuring a long rectangular water fountain with small water jets along one side, surrounding a grassy area.
Sketch of a laser cutting setup showing a laser cutter with laser-cut structures, preform, and charger, with labels for each component.
Sketches of various drone designs and components, including canopies, chargers, laser cut supports, and frames, with hand annotations.

I drew inspiration for this project from my two visits to Japan in 2024.

I drew particularly from the gardens of Nijo Castle in Kyoto, with the hope to incorporate elements of the sand and water of these gardens which I found so peaceful.

As seen in my sketches, I incorporated this peaceful motion with the minimalistic parallel lines seen throughout Japanese design.

Modelling & Production

3D Printer limitations presented the greatest challenges throughout the production process.

3D model of a cigarette lighter with a metallic surface, showing internal components, a water-like surface, and structural parts.
A white plastic chair with a textured seat and backrest, a small wooden model with interconnected parts, a car key, a pen, and two black lamps on a wooden table.
Two wooden picture frames without glass or backing, resting on a light gray surface.
Close-up of a white, textured 3D-printed object with intricate patterns and a layered, comb-like edge.

The final model was created in Fusion360.

Due to the size limitations of the 3D printer, the model’s base and overhang components were divided in half for printing and are connected via two push fit tabs.

A template for the four identical support pieces was also modelled in Fusion360 and exported to Lightburn for laser cutting from 7mm plywood.

The 3D printing process presented numerous bed adhesion issues which were eventually subsided by adding a raft to the print. The total print time totalled to approximately 80 hours.

Due to the organic nature of the pieces, particularly the overhang pieces, a great number of supports were required for each print. In the future I would love to further this design by using 3D printing as a means to cast a mould for the final material instead such as plaster, epoxy or concrete.

Final Product

A clock displaying the time 3:44 on a table, with a wooden napkin holder, a tray with a napkin, and a framed artwork with green and brown text in the background.
A digital clock displaying 3:45, placed on a nightstand. On top of the clock, there is a white quilt with a textured, swirling pattern, and two small wooden bed slats.